People have been asking me about my guitars and gear  - by the way, that's the neck and headstock of my custom Maton Mastersound electric in the image above - so I've started adding some pictures and info below!
Guitars

MATON ECW 80 CUSTOM ACOUSTIC
This is where it all began for me...my first guitar was a Maton Acoustic Dreadnought, built in my home town of Melbourne, Aust.  That wonderful old instrument is now retired from active service and I currently play this custom shop ECW80, with spruce face and Australian native timbers in the back and sides. 

MATON 'MASTERSOUND' CUSTOM ELECTRIC
Originally designed as a short-scale model, this custom-shop Mastersound was one of the first long-scale versions made.  The luthiers at Maton also obligingly messed around with different components, including 'hotting up' the pick-ups and converting it from a 3 pot control configuration to my generally preferred 2 pot set-up.  This is a wonderful, rude-sounding guitar with lots of bottom end and I played it a lot on the BMA nominated 'Lucky 13' album.  Check out www.maton.com.au for more info on Maton guitars, including their innovative use of Australian native timbers as tone woods.
THE 'BLUE EMPRESS' TELECASTER
This beautifully crafted and finished custom Tele was built for me by Steve White from Florida, USA.
A guy who is fanatical about detail (yes, the screw heads on the scratch plate ARE all in alignment) - he designs a one-off color for each of his instruments.  The 'Blue Empress' also has an etched plate with my photo on it at the base of the neck, instead of a serial number!  The blue sparkle finish photographs differently according to the light - beautiful...  It is fitted with Broadcaster pick-ups from Chris Kinman, Australia, for vintage tone and no hum.  www.kinman.com



She's so darn pretty, I thought I'd give you another shot...
BEETON RESONATOR
Featured on my acoustic 'Sweet Jelly Roll' album, this brass bodied instrument was built by Greg Beeton, Australia.  It is a single-resonator model - and it really 'sings'.  It was built for me (in top-secret) as a wedding present, thanks to my splendid husband Steve 'The Preacher' Clarke.  Originally set-up to play finger-picking country blues and ragtime material, I've now also started using it for playing acoustic slide. 
THE OL' TELE
A wonderful, honest old plank of wood...this was my first electric guitar (I started out on borrowed instruments).  A '68 Fender Telecaster that had been 'messed' with by the time I got it; it had an incongruous Gibson style tail peice and a crappy bridge & bridge pickup that didn't match.  It was only really playable on the front pickup - but that always sounded great!  The previous owner had at least removed the unsympathic '70's black metallic paint-job.  I played it and played it until I wore off the fret board.   In retirement until a recent re-build by Australian luthier Jim Dyson, it now boasts new frets, finger board and bridge set-up - and a fantastic hand wound back pickup designed and made by Jim to match the original funky vintage front pickup. Thanks, mate!
  www.jimdysonguitars.com.au
MATON CUSTOM BB1200 HOLLOW BODY SEMI-ACOUSTIC
A beautiful hollow body electric that combines a great look with a classic tone. The Queensland Maple body, capped with Victorian Blackwood, and a Rock Maple neck gives me maximum sustain, a beautifully warm and rounded tone, and enough bite to give the guitar its own place in live situations. The high gloss finish is a Classic White with black bindings.  The BB1200 is fitted with Tonepros nickel stop tailpiece and bridge set and Maton JHB & JHN pickups with Alnico 8 magnets, developed specifically for the BB.
The lastest addition to my collection is this Gretsch 6120RHH Reverend Horton Heat Custom.  I love the vintage maple lacquer finish, along with the 1955 Gretsch western block cactus, steerheads and fence pearl inlays on the ebony fret board.  This guitar has a unique combination of 1958 TV Jones Classic pickups and control set-up, pinned rosewood Adjusto-matic bridge, 1956 B6C Bigsby tremolo, Sperzel locking tuners, and clear Pickguard.  I'm really looking forward to getting to know the other 'Reverend' in my life!
 



"My main instruments are the Maton ECW 80 acoustic and
the Maton Mastersound electric and they are definitely an asset to my style of blues playing."